Emily Marsh & Malorie Landgreen and the Museum of Science typeface

spotlight_icon

hall-of-life

Photo Credit : Vikki Quick

 

The Museum of Science, Boston opened its newest exhibition which is called the Hall of Human Life. Emily Marsh and Malorie Landgreen, both are MAGD alumni from NESAD were part of this exhibition.

As graphic designers at the museum, Emily Marsch and Malorie Landgreen were in charge for typeface selection enhances the visitor experience.

The Hall of Human Life explores the human biology and health issues such as: inherited traits, personal choices, diet, age and other factors that impact our biology. There are more than 70 interactive exhibit elements that can be accessed by visitors. To become part of the story, visitors can contribute anonymously their own data points at 15 measurement stations, rich with digital media and personal engagement. This exhibition is recommended for grades 3 – 12, therefore the teachers can discuss and share experience with the students during the field trip.

 

See more about them and their work here :

http://www.monotype.com/blog/beyond-words-museum-exhibit-reaches-visitors-through-type

MBA Students featuring MAGD Student Launch Boston Uncharted

spotlight  “For most people, launching a business in less than a year is a daunting task. 

But Suffolk students aren’t most people.”

 

jpeg_BostonUncharted_northend

jpeg_BostonUncharted_beconhill

For the last six months, three entrepreneurship students—Trevor Young, Eric Hollenberg, and Joel Edwards—have spent nearly every day together building their business: Boston Uncharted.

Their company develops maps of Boston’s most popular neighborhoods, such as the North End and Beacon Hill. The maps provide interesting history facts and exclusive deals to local retailers and restaurants. Printed on Tyvek material, the maps are rip proof, water proof, and wrinkle proof.

Suffolk Offers a Helping Hand

How did they get the ball rolling so quickly? They took advantage of Suffolk’s resources.

“This business would still be an idea without Suffolk,” said Young.

They worked with nine Suffolk interns who are studying anything from finance, graphic design, and history to journalism and entrepreneurship. One intern in particular, graphic design major Shubha Roy, was instrumental in moving the product forward.

“She worked with us almost every day—modeling and tweaking the maps. She was a valuable asset and prime example of what students can achieve when they put their mind and energy into something,” Young said.

Young and his team also collaborated with students in Professor George Moker’s Financial and Legal Startup course.

“The school has been there every step of the way. We’re working with faculty to have the Beacon Hill Edition be distributed to incoming and touring students. We want students, their parents, and the city of Boston to recognize that Suffolk has the resources and intellect to create a product that required an interdisciplinary effort,” Young said.

 

Stepping up Their Game

The most important lesson they’ve learned along the way—face your challenges head on.

“Every situation is a learning experience. You can’t succeed without failing, recognizing why, and making improvements,” said Young.

They hit their first road block when the North End Chamber of Commerce proposed extreme changes to drive down the cost of the map.

“We had to stand our ground and decline their offer. We didn’t slow down. Instead, we moved forward by pitching to independent businesses. This taught us to stay strong and persistent,” Young said.

 

Persistence Leads to Success

And all that hard work is paying off.

Boston Uncharted is printing 5,000 maps for the North End and Beacon Hill. And now they’re pitching their product to local businesses.

As the president of sales and chief of technology, Edwards is leading the charge in finding new opportunities and connections. “Without Joel, the business would still be a big idea rather than a tangible product,” said Young.

Young is the president and creative director. He oversees the daily operations, works with the graphic designers, and handles the legal issues.

Hollenberg is the CEO and brainchild behind the business. “He’s the ideas man, the motivator, and problem solver. This business is his baby, and he’ll do anything to see it live,” Young said.

 

Boston Uncharted is Just the Beginning

They have big plans for the future. The three plan to expand their product into other major cities, including Chicago; Washington, DC; and Philadelphia.

They’re also developing an interactive app that will suggest retailers, restaurants, and entertainment for different target audiences.

Nick DiStefano 2012 MAGD Graduate, at Atlantic Works Gallery

The Song Remains the SameAtlantic Works Gallery, East Boston MA 80 Border St. 02128January 2013 Show11VWocnWj7fJD18-XaTjGqfqBFh6VgGuaBrQswq8dqg

Music is a mind-altering tool as strong as any drug. Since many artists get ideas from other media and most visual artists listen to music when they work, Atlantic Works has launched a group show that celebrates art made under the influence of music.

These pieces raise the question, how can ideas raised by one art form find resolution in another? The exchange is lively and fun and it shows how profoundly art and artists reflect our time and our culture.

For more information on the show, please visit www.atlanticworks.org.

Jackrabbit visits NESAD!

Recently NESAD’s official graphic design club, Graduate Association of Graphic Artists (GAGA), held a luncheon critique and invited their friends from Jackrabbit Design to play. NESAD students brought in their portfolio or a current design project that they were currently working on while rabbits Dave Belyea and Kyle VonIderstein would provide critical feedback on their work and professional advice in the field of Graphic Design.

The event was a hit and GAGA plans to do similar events in the future! For more information on GAGA contact Michelle Pergal or Craig Dudley.

Be sure to check out Jackrabbit Design and apply for a job or a internship!

Orpha Rivera, MAGD Graduate, Designs for Au Bon Pain

Oprha is one of two graphic designers for the entire Au Bon Pain corporation.  Her responsibilities include concept development, in house production, corporate identity/branding, social media, and advertisements. She works with everything you see in stores, from bakery tags to large menu panels.

She has been with Au Bon Pan for six months and has gotten to know the brand, as well as received a wide range of design projects, from designing PowerPoints for Human Resources to designing a campaign for a new product. Her position has allowed her to work with non-designers on a daily basis, from the head chef to the printers.

Orpha credits the NESAD Master of Arts in Graphic Design Program with helping her become a professional.  She learned how to create strong concepts, the art of critiques, as well as how to listen to criticism with a constructive ear.  She believes that brainstorming and having a reason for every element in her design proposals has benefited her greatly. When she meets with the Chief Brand Officer to discuss her design reasoning, she feels that NESAD has more than adequately prepared her to defend and communicate her ideas.

To see more of Orpha Rivera’s design work, please visit orpharivera.com

Keith Moskow Architect Influences Graduate Student Thinking

Keith Moskow of Moskow Linn Architects in Boston, has been a visiting lecturer in the Masters in Graphic Design department for years. He has provided inspiration for the Theoretical Project, also known as Urban Interventions, the final project in the Graduate Seminar class.

Based on student observations of the city of Boston and surrounding areas, they are asked to create a project that will add to the betterment of life in the city. The exercise is relevant in that it gives graduate student the opportunity to find and develop a project of their own doing just as they will be asked to do for their Thesis projects.

In a similar vein, Keith Moskow has created a summer program called Studio North, Building small-scale rural interventions.  Design students rarely have the opportunity to bring their ideas to fruition. This program offers a venue to imagine, develop and construct inventive design solutions.

For more information and to see examples of Urban Intervention projects visit: www.moskowlinn.com

 

See Studio North projects:  Swamp Hut, Chicken Chapel and Rolling Pig Pen. Click image for larger view.

Student’s Band Playing in Allston on 10/30

Krista Van Guilder, a Master’s student at New England School of Art and Design, is preforming with her band, Second Grave, at Great Scott in Allston on Tuesday, October 30th, 2012 at 9:15 pm.

Second Grave’s Biography:
Before you embark on a journey of revenge, dig two graves. —Confucius
Mixing equal parts of Heavy Rock, Doom, and Metal—Second Grave, a Massachusetts–based band—embarked on its maiden voyage in late summer of 2012.
Second Grave was born when drummer, Chuck Ferreira (ex-Nodscene, independent) contacted singer/guitarist, Krista Van Guilder (ex-Warhorse, ex-Lucubro, ex-Obsidian Halo), offering his drumming services, should she ever wish to start a new heavy project. As fate would have it, Ms. Van Guilder eventually took him up on the offer, and along with guitarist Chris Drzal (ex-Suckapunch, ex-Obsidian Halo) they began hashing out song ideas and sowing the early seeds of rock. Months later, the missing piece was added with the addition of Dave Gein (Black Pyramid, ex-Gein and the Graverobbers) on bass, and Second Grave was officially born.
The band released its first 6-track EP on August of 2012 and is currently supporting the disc with live shows in the Massachusetts area.
Stay tuned for updates, show postings, and details of their plans for world dominance.
For more information visit www.secondgrave.com

Grace Murthy’s Malden Switchbox

 

Graphic Design Master’s Student, Grace Jullian Murthy, was recently accepted as a part of the Switchbox Program through Malden Arts, in Malden, Massachusetts.  While designing the POP ART box, she thought about the popping sound something electrical makes and decided to embrace this by connecting it to the art world.  Her goal was to create something fun and intriguing, hoping to inspire and bring together the people of Malden with the style of Pop Art.

Her second switchbox, entitled “Life Is Sweet” was in inspired from one of her father’s sayings.  The saying encapsulates the idea that we should not forget to appreciate the small things in life.  The shape of the switchbox reminded Grace of a gumball machine, something as a child she relished.  She sought to bring this nostalgic feeling to all viewers.

For more information on the Switchbox Program, please visit http://www.maldenarts.com/pages/Switchboxes_Completed.htm

Michelle Pergal, MAGD student, speaks on her summer internship with Artists for Humanity

This summer Graphic Design Masters student Michelle Pergal spent her time with young students and taught them design through the Artists for Humanity program. AFH is an organization that provides creative art projects for creative youth. It provides young artists with the unique opportunity of real client projects that matter, giving them a great head start.

Michelle helped out in the Graphics Department, which includes doing Graphic Design for professional clients. She worked with full time AFH employees and Boston high school students who are interested in the arts. The students were given a project by the National Grid that involved creating its community involvement brochure. Michelle worked with the students teaching them how to use Adobe InDesign and how to properly implement layout design and acted as a mentor for the students as they designed.

Michelle describes her experience:

“Working with the students was great. I loved working with the kids directly and learned a lot from them. They all struck me as being very well-informed and savvy. When I helped them out, they picked up on important concepts quickly.

It was a great real-world project to experience. Most people going into design don’t get that kind of exposure until they have started their career as adults, and these kids were the ones working on it as high-schoolers.

I could see myself in an environment like that in the future. I have always liked working with kids. They are inspirational and just fun to be around. It was awesome to be doing design, while at the same time working with and teaching kids, and being around a lot of other artists. Sometimes design seems like a solitary activity, but that is the furthest from the way things are at AFH. It is definitely a community, and there is never a dull moment.

I took away a lot from my experience there. Especially after this summer, I think what AFH is doing is absolutely crucial. All the kids that work there were so talented and invested, and without a place like that, they might not get to explore the arts as much as they do. Overall, I think there needs to be a dramatic increase in art resources for kids everywhere, and also more importance and validity attributed to it as an occupational choice. I think sometimes people don’t understand the incredible variety available to someone who decides to go into the arts as a career. I know I didn’t, or I probably would have done it to begin with.”

Professor Jen Fuchel Attends The Ig Noble Prize Ceremony

Graphic Design Professor Jen Fuchel attended the Ig Nobel Prize Ceremony on September 20th, donning a graphic design blog-worthy outfit.

The Ig Nobel Prize Ceremony honors achievements that make people laugh, and then think. The prizes are intended to celebrate the unusual, honor the imaginative — and spur people’s interest in science, medicine, and  technology. A gala is held annually at Harvard’s Sanders Theatre.  Twelve hundred splendidly, eccentric spectators watch the winners step forward to accept their prizes.  The awards are handed out by genuinely bemused Nobel laureates.

For more information on the Ig Noble prize and winners, please visit http://www.improbable.com/ig/2012/ and  http://www.huffingtonpost.com/2012/09/21/ig-nobel-prize_n_1902449.html

“It’s like the weirdest f-ing thing that you’ll ever go to… it’s a collection of, like, actual Nobel Prize winners giving away prizes to real scientists for doing f’d-up things… it’s awesome.”— Amanda Palmer