Emily Roose’s Masters Thesis, Slow News, on Quipsologies

Do you consider cross-stitching to be a hobby of the past? Well, think again! Emily Roose, a Masters student who graduated in 2011, has transcended the art of cross-stitching into a medium for news distribution.

For her Master’s thesis project, Emily aimed to create something away from the computer. Her solution was to cross-stitch, a skill she had learned only a few months prior. By using news as her subject matter, Emily transformed the nature of modern fast-paced media. Each cross-stitched news story is a timeless piece of work that continues to hold an existence beyond its quick news coverage.

Each piece started as a sketch based on imagery from TV broadcasts and news websites. Twenty-five hours later, Emily turned the sketches into vibrant cross-stitched stories. She says, “I was attracted to the pixelated quality of the stitches, and even though it seems like a very anal-retentive task, it’s actually not when you are not using a pattern and designing as you go. I think of it as a very slow mode of drawing.”

Her work was featured on the popular design blog, Quipsologies. Check it out here. You can also see more of Emily’s work here.

21 thoughts on “Emily Roose’s Masters Thesis, Slow News, on Quipsologies”

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  2. The thesis is about slow news. The topic of my research deals with the tendencies of newsstand behavior, which is a kind of “fad” that occurs on a daily basis among many people while they browse through their favorite magazines and newspapers. Have you gotten Geological Evaluation to learn more authentic tips of business. My main argument is the claim that slow news can be defined as uncritical, superficial, and sensationalized readings of current affairs.

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  4. Emily Roose’s Lord’s Proposition, “Slow News,” highlighted on Quipsologies, offers a captivating investigation of the developing scene of reporting and media utilization in the computerized age. Digging into the idea of “slow news,” Roose looks at the potential for more profound engagement and meaningful talk in a period overwhelmed by quick-fire refreshes and temporary abilities to focus. As someone keen on grasping the crossing point of media, innovation, and society, this proposition gives important bits of knowledge that could extraordinarily enhance my comprehension. It highlights the significance of basic reflection and thought in a time portrayed by information over-burden. The profundity and mindfulness of Roose’s examination motivate me to dive further into the topic, provoking me to consider signing up for a pertinent class to additionally investigate these themes and their suggestions. Maybe now is the ideal time to take my classes for me and jump into the entrancing domain of media review.

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