I’ve written about Fair Use before, but thought I’d bring up the topic again since the summer online courses are about to get under way. Often, faculty wonder whether their use of copyrighted materials in the classroom constitutes Fair Use or not. Making a Fair Use argument is not always easy, especially when so many draconian interpretations of copyright law exist. But Fair Use is part of copyright law, even though it is little understood (and poorly spelled out). I hate to see faculty forgo valuable lesson plans for fear of using copyrighted material that’s essential to the curriculum. But often they do, or they are “quiet” about the uses they make (particularly audio and video) for fear that they may be doing something wrong, when quite often they are not.
Three and a half years ago, the Association for Independent Film Makers got together and defined their own industry guidelines for Fair Use. In the absence of case law regarding Fair Use, judges often look to common industry practices to determine whether a use of copyrighted work falls under the Fair Use doctrine or not (and such information is not always available or easy to find). Having a written set of documented principles and guidelines is useful for both practitioners and courts in determining whether a use is fair or not.
Finally, this past November, after a year of study and collaboration, educators released their own “Code of Best Practices for Fair Use in Media Literacy Education“. (Download the Code of Best Practices here.)
Below is a clip they’ve put together on the topic:
Here’s a short video on The Cost of Copyright Confusion for Media Literacy from a talk given at American University’s Center for Social Media:
Following are the Five Principles in the code above, with Descriptions and Limitations:
ONE: EMPLOYING COPYRIGHTED MATERIAL IN MEDIA LITERACY LESSONS
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