The Gibson Girl: Re-drawing identity

BOSTON — “You belong simply because you are,” said Valerie, the character of an African American teenager in the play, The Gibson Girl. Valerie struggles with her self-image and sense of belonging. Only after studying the works of famous writers, such as Nikki Giovanni and Langston Hughes, did she become empowered and self-assured about her place in the world.

The theme of belonging is central in The Gibson Girl, written by Kirsten Greenidge and directed by Victoria Marsh. The play premiered at the Boston Center for the Arts Plaza Theatre, 539 Tremont St., Boston, on March 14-April 5, 2008. The audience was packed with people from all sexes, ages, races, and socio-economic levels, waiting to experience the captivating message of the play. Continue reading

HAIR: The American Tribal Love-Rock Musical

BOSTON — The year was 1968. The Vietnam War was in full swing, along with an emerging American culture built on the principles of love, peace, and political protest. This culture was defined by a radical group known as hippies; their hair was long, their clothes were tie-dyed iridescent shades of the rainbow, and their symbol was the peace sign.

The movement spread world-wide, but was most active in large cities such as New York. Within this innovative society in New York City’s East Greenwich Village, the story of HAIR: the American Tribal Love-Rock Musical unfolded. Continue reading