Hello again, I hope everyone had a good holiday weekend! It felt to me as if the three day weekend came just in time- I definitely needed that extra day to relax and regroup. This weekend, my friend from NYU came to Boston to visit me, which was great. On Friday before I went to pick her up from the bus station, I had my painting class. I had a homework assignment due for class, which was to paint an 18×24 fruit or vegetable in two different ways: one that you can tell exactly what it is, and one that is a little more abstract. I had an avocado in the fridge that was a little past ripe, so I used that! Then in class, all of us added to and fixed up our paintings according to direction from our professor. Here are my finished avocado paintings:
On Saturday, my friend and I went to the MFA! We explored for a little while because she had never been, and we hung out in the contemporary art section for a bit longer. I especially love the pieces by female and feminist artists! Here are a few of my favorites:
This is Untitled #282, a photograph by Cindy Sherman. Cindy Sherman is one of my favorite artists because she uses photography and herself as a subject to convey messages about women and how they are viewed. Although she is the subject of her photographs, they are not intended to be self-portraits; she is constantly assuming a different female identity and playing off of the assumptions of the viewer. In this particular piece, commissioned for the fashion magazine Harpers Bazarr, Sherman poses as a fictional Medusa character in a high end designer dress, updating the conventions of renaissance painting and portraiture.
I absolutely love this piece. It’s titled With You I Breathe by Tracey Emin. Emin often uses phrases written with her own handwriting to portray intimate parts of relationships in neon. This particular phrase, “With You I Breathe” is not only bringing across the touching thought of only breathing when around a certain person, but also the thought of breathing with a person, the same air, at the same time. Emin’s piece reminds us how a work of art may breathe with the viewer, with the space around it, and with our reactions.